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Free Download Menu. Download Adult Messenger. 19523 - 123396. Our latest sexy videos, hot videos and free XXX videos. The Nintendo Switch exists, and is a fantastic gaming system that you can, in a pinch, play in a bar, a car, or on the train. Phones exist too, and the games on them. The weekend is for trying to parcel out a book you’re really enjoying so you don’t finish it too soon and have nothing to read on the subway. Also, video games. Ken Burns effect - Wikipedia.Instead of showing a large static photo on screen, the Ken Burns effect crops to a detail, then pans across the image.Demonstration of the Ken Burns effect in video form.The Ken Burns effect is a type of panning and zooming effect used in video production from still imagery. more. The name derives from extensive use of the technique by American documentarian Ken Burns. The technique predates his use of it, but his name has become associated with the effect in much the same way as Alfred Hitchcock is associated with the dolly zoom.[citation needed]The feature enables a widely used technique of embedding still photographs in motion pictures, displayed with slow zooming and panning effects, and fading transitions between frames. The technique is principally used when film or video material is not available. Action is given to still photographs by slowly zooming in on subjects of interest and panning from one subject to another. For example, in a photograph of a baseball team, one might slowly pan across the faces of the players and come to a rest on the player the narrator is discussing. By employing simulated parallax, a two- dimensional image can appear as 3. D, with the viewpoint seeming to enter the picture and move among the figures.[1]The effect can be used as a transition between clips as well. For example, to segue from one person in the story to another, a clip might open with a close- up of one person in a photo, then zoom out so that another person in the photo becomes visible. The zooming and panning across photographs gives the feeling of motion, and keeps the viewer visually engaged. Origins of the technique[edit]Burns has credited documentary filmmaker Jerome Liebling for teaching him how still photographs could be incorporated into documentary films.[2] He has also cited the 1. National Film Board of Canada documentary City of Gold, co- directed by Colin Low and Wolf Koenig, as a source of inspiration for this technique.[3][4][5] Winner of the Palme d'or at the Cannes Film Festival and nominated for an Academy Award,[6]City of Gold used animation camera techniques to slowly pan and zoom across archival still pictures of Canada's Klondike Gold Rush.[7]Implementation[edit]In film editing, the technique may be achieved through the use of a rostrum camera, although today it is more common to use software. Virtually all non- linear editing systems provide a tool to implement this technically simple effect, although only some systems, such as i. Movie and Openshot for Linux, specifically call it a Ken Burns Effect; it is usually simply referred to as pan and zoom. Final Cut Pro,[8]Apple TV and Apple's i. Movie video editing program include a photo slideshow option labelled "Ken Burns Effect".[2]On the Windows platform, 4. K Slideshow Maker by 4. KDownload, AVS Video Editor, Windows Movie Maker, Pinnacle Studio, Serif Movie. Plus, Avid Media Composer, Sony Vegas Studio (and Movie), Ulead Video. Studio, Adobe Premiere, and Pictures. To. Exe also have pan and zoom features built in or available through third- party extensions which may be used to achieve the effect. Microsoft Photo Story is a free application that creates videos with both random and customiseable Ken Burns Effects automatically from selected images. Pro. Show Gold/Producer from Photodex is a favorite application by still photographers that uses this effect to great measure. Another free multiplatform Ken Burns effect application is Photo. Film. Strip. On the Mac platform, Final Cut Pro, Final Cut Express, i. Movie, Adobe Premiere, and others also have the ability. Particularly, Adobe and Apple products (excluding i. Movie) allow the user to set keyframes to further customize the process. The effect is found in a great number of screensavers and slideshows. Apple uses it in their screensavers. Windows PCs can use Greg Stitt's "Motion. Picture" and Gregg Tavares's "Nostalgic", among others. The effect can also be seen in the N7. Nokia, applied to the slideshows the phone creates from the pictures stored in it.[9] Many seventh- generation video game consoles also feature versions of this effect, including Nintendo's Wii Photo Channel, Sony's Play. Station 3 and within the Last. Xbox 3. 60. Outside of screensavers and slide shows, the effect is also found in some video games. Use by Apple[edit]Steve Jobs contacted Burns to obtain the filmmaker's permission to use the term "Ken Burns Effect" for Apple's video production software (the description had been Apple's internal working title while the feature was in development). Burns initially declined, saying that he did not allow his name to be used for commercial purposes. Instead, Burns had Jobs give him "some equipment which we give to nonprofits" in exchange for permission to use the term in Apple products.[1. In February 2. 01. Burns stated in his AMA on Reddit that Steve Jobs "asked my permission. I said yes. And six billion saved wedding, bar mitzvahs, vacation slideshows later, it's still going. But our attempt to wake the dead relies on a much more nuanced and complicated relationship to the photograph (the DNA of storytelling), as well as the soundtrack."[1. Burns says that on occasion, strangers will stop him on the street to enthusiastically describe how they use the Ken Burns Effect on their Apple software or ask him questions. Burns, who writes his speeches longhand and calls himself a "Luddite", claims not to really understand what these Apple users are telling him and tries his best to make a quick escape.[1. Examples[edit]Georgie, 1. The Great War, 1. Night of the Living Dead, 1. Directed by George Romero. Comic Book Confidential, 1. Directed by Ron Mann. The Civil War, 1. Directed by Ken Burns. The Old Negro Space Program, 2. The War, 2. 00. 7, directed by Ken Burns. The Vietnam War, 2. Ken Burns. See also[edit]References[edit]^Green, Tom; Dias, Tiago (2. The parallax effect: traveling through space". Foundation Flash CS5 For Designers. New York: Springer. ISBN 9. 78. 14. 30. Kennedy, Randy (2. The Still- Life Mentor to a Filmmaking Generation". The New York Times. Retrieved 2. 00. 7- 1. In fact, spend any time watching the films of Ken Burns, or those of the legions of documentary makers he has inspired, and you will see Mr. Liebling’s work, in a sense, even if you have never laid eyes on one of his photographs. ^Vause, Mikel (Fall 2. Capturing the American Experience: A Conversation with Ken Burns". Weber Studies. 2. ISSN 0. 89. 1- 8. OCLC 1. 18. 72. 92. Archived from the original on October 1. Retrieved 2. 00. 7- 1. Williams, Charles (1. Historical Photographs and Multimedia Storytelling". Retrieved 2. 00. 7- 1. Tibbetts, John C. All That Glitters: City of Gold Revisited"(PDF). Retrieved 2. 00. 7- 1. City of Gold (Capitale de l'or)". Canadian Film Encyclopedia. Archived from the original on 2. December 2. 01. 3. Now You Re Cooking Keygen Software . Retrieved 2. 5 December 2.Glassman, Marc (1 December 1.Filmmaker of vision".The Free Library.Retrieved 2. 4 December 2.Take one's interview with Colin Low, part 2^Kobler, Helmut; Fahs, Chad (2. Final Cut Pro 4 Dummies. For Dummies. Wiley. ISBN 0- 7. 64. 5- 3. Nokia N7. 3 Data Sheet"(PDF). Nokia. 2. 00. 6. Archived from the original(PDF) on 2. Retrieved 2. 00. 7- 1. Dave Gilson (2. 4 August 2. Ken Burns On "The Worst War Ever""(interview). Mother Jones. Retrieved 2. December 2. 01. 3. Filmmaker Ken Burns discusses The War, a different kind of World War II documentary^https: //www. IAm. A/comments/1xn. Ken Burns, 2. 00. De Anza College, Cupertino, CA: Celebrity Forum Speaker Series. Retrieved 2. 4 December 2. 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As the hugging and loving bed- fellow sleeps at my side through the night. Leaving me baskets cover'd with white towels swelling the house with. Shall I postpone my acceptation and realization and scream at my eyes. That they turn from gazing after and down the road. And forthwith cipher and show me to a cent. Exactly the value of one and exactly the value of two, and which is ahead? Trippers and askers surround me. People I meet, the effect upon me of my early life or the ward and. I live in, or the nation. The latest dates, discoveries, inventions, societies, authors old and new. My dinner, dress, associates, looks, compliments, dues. The real or fancied indifference of some man or woman I love. The sickness of one of my folks or of myself, or ill- doing or loss. Battles, the horrors of fratricidal war, the fever of doubtful news. These come to me days and nights and go from me again. But they are not the Me myself. Apart from the pulling and hauling stands what I am. Stands amused, complacent, compassionating, idle, unitary. Looks down, is erect, or bends an arm on an impalpable certain rest. Looking with side- curved head curious what will come next. Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with. I have no mockings or arguments, I witness and wait. I believe in you my soul, the other I am must not abase itself to you. And you must not be abased to the other. Loafe with me on the grass, loose the stop from your throat. Not words, not music or rhyme I want, not custom or lecture, not. Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning. How you settled your head athwart my hips and gently turn'd over upon me. And parted the shirt from my bosom- bone, and plunged your tongue. And reach'd till you felt my beard, and reach'd till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass. And I know that the hand of God is the promise of my own. And I know that the spirit of God is the brother of my own. And that all the men ever born are also my brothers, and the women. And that a kelson of the creation is love. And limitless are leaves stiff or drooping in the fields. And brown ants in the little wells beneath them. And mossy scabs of the worm fence, heap'd stones, elder, mullein and. A child said What is the grass? How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green. Or I guess it is the handkerchief of the Lord. A scented gift and remembrancer designedly dropt.Bearing the owner's name someway in the corners, that we may see.Whose? Or I guess the grass is itself a child, the produced babe of the vegetation.Or I guess it is a uniform hieroglyphic. Does Crack Smell Like Burnt Hair Meme more. And it means, Sprouting alike in broad zones and narrow zones. Growing among black folks as among white. Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass. It may be you transpire from the breasts of young men. It may be if I had known them I would have loved them. It may be you are from old people, or from offspring taken soon out. And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers. Darker than the colorless beards of old men. Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues. And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women. And the hints about old men and mothers, and the offspring taken. What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere. The smallest sprout shows there is really no death. And if ever there was it led forward life, and does not wait at the. And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses. And to die is different from what any one supposed, and luckier. Has any one supposed it lucky to be born? I hasten to inform him or her it is just as lucky to die, and I know it. I pass death with the dying and birth with the new- wash'd babe, and. And peruse manifold objects, no two alike and every one good. The earth good and the stars good, and their adjuncts all good. I am not an earth nor an adjunct of an earth. I am the mate and companion of people, all just as immortal and. They do not know how immortal, but I know.). Every kind for itself and its own, for me mine male and female. For me those that have been boys and that love women. For me the man that is proud and feels how it stings to be slighted. For me the sweet- heart and the old maid, for me mothers and the. 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RIP, Microsoft Paint. MS Paint, the first app you used for editing images, will probably be killed off in future updates of Windows 1. Paint 3. D. Microsoft lists the 3. Windows 1. 0’s next autumn update, a little X marking the end of an era. The app is certainly a relic, from a time when the casual computer user couldn’t crack open Photoshop or Skitch or Pixelmator or thousands of web apps. MS Paint can’t save image components as layers or vectors; it’s for making flat static images only. It doesn’t smooth lines or guess at your best intentions. It does what you tell it and nothing more, faithfully representing the herky- jerky motion of drawing freehand with a computer mouse. It’s from a time before touch, a time before trackpads. As more sophisticated options appeared, Paint’s janky aesthetic became a conscious choice. Paint” became the metonym for that aesthetic, even if an image was actually created in another app. TV Tropes lists major limitations that came to define a certain look: the wobbly freehand lines, awkward color handling, and inappropriate export settings that give Paint its distinctive look. In 2. 01. 4, Gawker’s Sam Biddle noted Paint’s influence on conspiracy theory images, calling the form “Chart Brut.” In amateur detectives’ attempts at identifying the Boston Marathon bombers, the simplicity and jaggedness of Paint evokes the “crazy wall” aesthetic of red string and scribbled notes, apparently without irony. The same year, internet historian Patrick Davison explored Paint’s influence on the last decade of meme culture, particularly Rage Comics. The outsider- art aesthetic feels appropriate to the relatable everyday content, and makes the art form unthreatening. Of course, Paint offered a few features to smooth things out, like the circle and line tools and the “fill” tool, all used in the stoner comics of the early 1. MS Paint, the first app you used for editing images, will probably be killed off in future updates of Windows 10, replaced by the new app Paint 3D. Microsoft lists. Crucially, those circles still had jagged curves. The bright colors of stoner comics are flat, as MS Paint didn’t support gradients (without an elaborate hack). Contrast those pixellated lines with the slick, stylish face from this art tutorial: This slickness is built into Paint’s successor, Paint 3. D. From the moment you start sketching, Paint 3. D smooths out your art. It also supports automatic selection tools and content- aware fill to rival Photoshop’s.)By automatically improving art, Paint 3. D hides the process behind the image. Paint’s sloppiness is probably why rage comics got so popular. Looking at a rage comic, you can tell exactly how it was drawn, and how you might draw one yourself. By delivering exactly what the artist draws, MS Paint forms an image that the viewer can mentally reverse- engineer and imitate. Unless you go absolutely nuts with it. Reddit user Toweringhorizon painstakingly assembled the drawing “To a Little Radio” using MS Paint tools like the oil brush, stretching the medium while maintaining a pixelated look. It’s one of the top submissions to MS Paint subreddit, a beautiful collaborative art gallery. Scrolling through this art feels like flipping through the sketchbook of the most artistic kid in high school. There’s an accepted roughness, a desired minimalism. For example, the exquisite raindrops in the work above are reflected in a flat, featureless tabletop. Like a transistor radio, Paint might be showing its age, but this tenacious little gadget should not be underestimated.“To a Little Radio” doesn’t even come close to testing Paint’s limits. here. As we say goodbye to the app that shaped an era, let us watch this bizarrely soundtracked time lapse of drawing Santa Claus in MS Paint on Windows 7 over the course of 5.We can only believe this is real because faking it would be even harder. Another Great App Went Subscription Only and Everything Is Terrible. I blame Adobe for this. Ulysses, one of the best writing tools available right now, is going subscription only. If you previously purchased Ulysses for Mac or i. OS (it works seamlessly across Macs, i. Phones, and i. Pads) you are now going to have to pony up $5 a month or $4. And again, I blame Adobe for this, because it taught software developers that they can put their clients over a barrel—royally screwing early adopters by having them pay repeatedly for product. Back in 2. 01. 3 Adobe moved its most valuable software, including Photoshop, Illustrator, and Premiere, to a subscription only model. If you want to use the industry standard software Adobe creates you have to throw down $1. It’s been a sore point for many a computer user who still remembers the halcyon days when purchasing software meant you, essentially, owned it. Since then many apps have moved to this new model—often promising cool updates as a “reward” for being a subscriber. Quicken, Autodesk, Adobe, and even more niche companies now like Ulysses, are moving towards this model and there’s no sign of them stopping any time soon. Ulysses is developed by a small publisher called Soulmen, and it’s co- founder, Max Seelman, took to Medium on Friday to defend his company’s decision. Our users expect a continuously evolving high quality product — and subscription is the only way we can truly deliver on that expectation,” he said in his post. Seelman went on to explain how software development has shifted dramatically since Soulmen first launched Ulysses. Software purchases used to be very different from how they are today. Until not too long ago, you would purchase an application and get a physical copy on a bunch of floppies (or later a CD). The thing you got — that was it. No patches, no updates. Developers had to put forward an extreme amount of attention to get everything right, because once an app was out, development had to be done.Seelman then noted that software development changed as internet speeds improved. With companies able to produce patches that not only resolved minor issues at launch, but also introduced new features. At first, these resulted in new features being added on- the- fly, but it quickly evolved into issuing more and more substantial patches — until today, where most v. Essentially, Seelman argues, software is now in constant development and pricing hasn’t kept up with this new cycle. Which, okay, it makes sense! If software is constantly getting features that normally would have warranted a new version and additional money than the company absolutely has the right to ask for more cash. The company is offering, for a limited time, a discount to older users, and if those user happened to purchase the software within the last year than they’ll also received up to 1. Soulmen has also made it clear that the old version of the app available in the i. OS and Mac app stores will be available for use and updated to work with i. OS 1. 1 and High Sierra.After that you’re out of luck.What’s frustrating about this is how shifting to these new forms of payment are great for the developer and fine for new users, but suck, a lot, for old users.I know, because I’ve been using Ulysses for the better part of six years.It’s a piece of software I’m so attached to I’ve name- checked it when people ask why I don’t switch to Windows or Android for my daily work machines. Windows Xp Vista Activation Keygensgames . The announcement of a move to subscription- based payment popped up as soon as I opened the app on my computer this morning and, annoyed, I took to Twitter to bask in the irritation of other users. Ulysses isn’t going to be the last app forced to make this decision. As consumers demand more and more from “minor” updates software developers will need to find a way to make profit. They can try to tightly manage their business and continue with the old model, demanding money only when a new and truly outstanding feature appears, or they can go the Ulysses route, which many companies, including Adobe, have done before. It’s proven effective, even as subscription fees balloon on users’ credit cards and leave them irritated and underwhelmed. Adobe, Autodesk and Quicken are all huge and required apps for their respective industries. They can afford to ask for money each month, but if Ulysses doesn’t provide cool new features with every update, that $4. Scrivener or some other non- subscription based writing app. At the very least Ulysses could have taken a note from the book of Plex. That software suite went from completely free to a subscription based model and users were.. So Plex offered a lifetime membership. Essentially you pay out the nose once and never pay again. As someone who uses the app every day that was a no brainer for me. I dropped my wad of cash and never looked back, and I didn’t have to look at yet another subscription fee on my credit card statement either. Just a thought Ulysses.. Portal (series) - Wikipedia. Portal is a series of first- personpuzzle- platformvideo games developed by Valve Corporation. Lose weight and keep it off by playing Fitness Games on the Wii, PS3, and emerging video game technologies. Set in the Half- Life universe, the two main games in the series, Portal (2. 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The portal concept was introduced by the game Narbacular Drop and led to the basis for the first game. Another game, Tag: The Power of Paint, formed the basis of surface- altering "gels" introduced in Portal 2. Both games have received near- universal praise, and have sold millions of copies. The first game was released as part of a three- game compilation, The Orange Box, and though intended as a short bonus feature of the compilation, was instead considered the highlight of the three. Its success led to the creation of the much longer Portal 2, which included both single player and cooperative player modes; it too received mostly positive critical reviews. In addition to the challenging puzzle elements, both games are praised for its dark humor, written by Erik Wolpaw, Chet Faliszek, and Jay Pinkerton, voice work by actors Ellen Mc. Lain, Stephen Merchant, and J. K. Simmons, and musical songs by Jonathan Coulton.
A number of spin- off media have been developed alongside the games, and several of the game elements have become parts of Internet memes. Setting and characters[edit]. The logo for Aperture Science. Both Portal games take place in the fictional "Aperture Science Enrichment Center". Aperture Science was founded by Cave Johnson (voiced by J. K. Simmons) and originally sought to make shower curtains for the military. Its research happened upon the discovery of portal technology, and soon became a direct competitor with Black Mesa Research Facility (from the Half- Life series) for government funding. Johnson acquired the rights to a disused salt mine in the Upper Peninsula of Michigan, where they started building a labyrinthine set of offices, laboratories, facilities, and test chambers. During this time, Johnson became poisoned from exposure to moon dust, a key component of the paint needed for the portal technology, and became increasingly deranged. In Portal 2, the player explores these long- abandoned areas of Aperture, learning that the company had moved from testing on the country's finest, to paid volunteers, and ultimately to forcing its own employees to participate in testing. Near the point of his death, Johnson ordered his lifelong assistant Caroline (voiced by Ellen Mc. Lain) to be the first test subject for a mind- to- computer transfer; her personality would ultimately form the core of GLa. DOS (also Mc. Lain). Sometime after Johnson's death, the old sections of the facility were vitrified, and a more modern facility built atop those ruins. GLa. DOS was built to control the facility and monitor the tests, but researchers found that the computer had villainous tendencies, threatening to kill the entire staff before it was shut down in time. The Aperture researchers constructed a number of "personality cores" that would fit onto GLa. DOS to prevent her from turning against them. Despite this, on the day she was officially activated (coincidentally on "Take Your Daughter to Work Day"), she turned against the researchers and killed nearly everyone in the facility with lethal doses of neurotoxin gas. In the games and the comic Lab Rat, one employee Doug Rattmann survived due to his schizophrenia and distrust of GLa. DOS. In trying to find a way to defeat GLa. DOS, he finds that Chell, one of the human subjects kept in cryogenic storage within Aperture, has a high level of tenacity, and arranges for the events of Portal to occur by moving her to the top of GLa. DOS' testing list.GLa. DOS remains driven to test human subjects despite the lack of humans.A promotional poster created by Valve artist Tristan Reidford, showcasing the characters from Portal.From center top clockwise: Chell, GLa.DOS, P- Body (left) and Atlas, the turrets, Cave Johnson (in picture frame), a Weighted Storage Cube, and Wheatley.The player is introduced to Aperture in Portal, which is said by Valve to be set sometime between the events of Half- Life and Half- Life 2. . The player- character Chell is awakened by GLa.DOS for testing. Chell resists GLa.DOS' lies and verbal ploys and succeeds to defeat GLa.DOS' core, the destruction creating a portal implosion that sends Chell to the surface, unconscious. . Rattmann, who has helped Chell by writing warning messages and directions to maintenance areas on the facility walls and had observed the final battle, escapes Aperture, but on witnessing a robot dragging Chell's body back inside, sacrifices his escape to assure that Chell is put into indefinite cryogenic storage. He himself is critically wounded but appears to make it to another cryogenic chamber, though his ultimate fate is not revealed. Portal 2 takes place numerous years after the events of the first game; the Aperture facility has fallen into disrepair without GLa. DOS. A personality core named Wheatley (Stephen Merchant) wakes Chell from her sleep to help her stop a reactor failure, but inadvertently awaken GLa. DOS, who had redundantly backed up her personality. Though they defeat GLa. DOS by putting Wheatley in her place, Wheatley is overwhelmed with power, sending Chell and GLa. DOS, temporarily reduced to a small computer powered by a potato, to the old core of Aperture, where GLa. DOS rediscovers her relation to Caroline. They return to the surface where they are forced to defeat Wheatley before his ineptitude with the Aperture systems causes the facility reactors to become critical and explode. GLa. DOS is returned to her rightful place and returns the facility to normal. GLa. DOS then lets Chell go, realizing that the prospect of trying to kill her is too much trouble. Instead, she turns to two robots of her own creation, Atlas and P- Body, to locate a mythical store of additional human subjects kept in cryogenic sleep for her to continue testing on. In addition to these characters, the game includes numerous laser- seeking turrets that seek to kill the player- characters, though are apologetic for it; most are voiced by Mc. Lain, though some defective ones in the sequel are voiced by Nolan North. GLa. DOS introduces Chell to the "Weighted Companion Cube", appearing similar to other Weighed Cubes (crates) in the game, but decorated with hearts on its sides; GLa. DOS attempts to make Chell believe the Companion Cube is a sentient object and a key to her survival, before making Chell dispose of it in an incinerator prior to leaving a test chamber. Both games feature other personality cores that were constructed to keep GLa. DOS in check; the first game includes three cores, the Morality, Curiosity, and Intelligence Cores, voiced by Mc. Lain as well as a snarling Anger Core voiced by Mike Patton. In Portal 2, three more such cores (beyond Wheatley) are introduced including the irrelevant Fact Core, the bold Adventure Core, and the space- obsessed Space Core, each voiced by North. Gameplay[edit]Two examples of "flinging" using portals within Portal. On the left, the player has placed portals on the floor of the pit and the wall above; by jumping into the blue one in the pit, they will exit the orange one with the same magnitude of velocity, clearing the pit and landing on the other side. London Tower Survivors Are Being Forced to Compete for New Homes. Why Are My Elbows Dry And Cracked Feet on this page. British prime minister Teresa May said on Wednesday that the tenants management organization responsible for the Grenfell Estate, where a violent tower fire killed at least 8.June, will be stripped of their responsibilities.Why? Turns out they’ve done a terrible job managing the aftermath of that disaster. In fact, it sounds like the past two months have been an absolute nightmare for the survivors of the Grenfell Tower. Earlier this week, the Kensington council that’s been overseeing the tenants management organization drew ire when it announced that survivors would have to “bid” against each other in order to secure new housing. This method would effectively force the former Grenfell Tower residents to compete with each other for the best accommodations. This, after over 1. The Independent explains how the bidding process will work: [The Kensington council] are using a ranking system that allows certain residents priority, including those who lost family in the fire or have a disability.Families with children will also receive higher priority status than those without.Survivors in the same eligibility band who bid for the same property will be given priority based on how long they had lived in Grenfell Tower.The council also made clear that properties will only be viewed by one household at a time. . While some aspects of the prioritization seem fair, residents and lawmakers argue that the whole process forces survivors into yet another stressful situation, after many of them either lost family members or watched their neighbors die.Residents also told The Independent that some survivors, especially the elderly, don’t understand how the process works or how they’re supposed to submit their bids. And again, the very idea that multiple survivors could be competing with each other for a particular housing option is just bad and wrong, they say.“What we’re expecting is for the council to know how many properties they have, categorise those, [and get survivors] to view them,” one woman who escaped the Grenfell Tower fire told the paper. The bidding process is too strenuous and time consuming. It’s causing unrest between the survivors.” An alternative that’s been suggested is for the council to simply assign new accommodations. That way, the survivors could get new homes more quickly and without the stress of competing with their neighbors. The Kensington council, meanwhile, claims that the bidding process is the “fairest and quickest” method. Then again, according to the prime minister, the Kensington council has been doing a dreadful job handling everything in the wake of the deadly blaze. Why should residents trust them now? The important thing, everyone agrees, is to help the survivors find new homes as quickly as possible. Some of them might even end up in luxury condominiums, if they manage to do well during the bidding process. Not everyone loves this idea, by the way.) Now that the Kensington council’s tenant management organization is on the way, however, who knows if any of this will change. At least it sounds like things couldn’t get any worse. Let’s just hope they get better.[The Guardian, The Independent]. All Games - All Online Games at Addicting. Windows Vista Home Basic Msdn Download Page . 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